Old fashioned fine tuning and the quick study: Giemel Magramo versus Junto Nakatani

A rarity here at Asian boxing as we have a guest writer previewing a bout, and for that we want to say thanks to our good friend Troy for penning this brilliant preview of the up coming Junto Nakatani Vs Giemel Magramo bout, which will take place on November 6th at Korakuen Hall and be shown live on BS NTV and G+.

By Troy Parslow

Old fashioned fine tuning and the quick study:
Redefining the cult, the boxing fan knows plenty of opinion, incredulity, hubris and that loyal grip we close around those trusted fighters. An illusion of discovery tends to feed our particular vices, so perhaps that’s where I find myself when I tell you, in this year of on-again, off-again uncertainty, there isn't a fight I've been anticipating more than Giemel Magramo versus Junto Nakatani.

If the conversation on flyweights due more attention starts with South Africa's Moruti Mthalane, it's with 26 year old Giemel Magramo I might try to end it.

Magramo (24-1, 20) of Paranaque City, Philippines, has the ‘Skull and Bones Family’ heritage of his father, and Manny Pacquiao rival of ten rounds, Melvin, and a host of uncles (Alvin, Ronnie, Ric and Ric Jr) with storied careers. He has the notable form of a sole loss--separated only from a majority draw by a point deducted for an accidental butt--travelling to South Korea to fight their then adopted Muhammad Waseem and a ten round stoppage win, travelling this time to China for their own Wenfeng Ge. But beyond an inherent, steely resolve--the Magramo legacy--or his resume's story, this Magramo is a talent above the rest. This birthright of insatiable aggression can be to the detriment of his performance, still he bears this inconsistency well; with the temperament to reset and refocus, he joins sporadic reckless abandon with an application of genuine pressure fighting skills in a can't-miss combination. By virtue of a father's guidance and slow burn matchmaking, they've nuanced their pressure fighting essence--upper body deception, and technique to manipulate the in-fight into the bargain.

For all he's inherited, 'Pistolero' seeks a family first major championship belt when he fights Japan's 5”7½ southpaw Junto Nakatani (20-0, 15), November 6th, at Tokyo's Korakuen Hall, to fill Kosei Tanaka's WBO flyweight void.

Short of a lower-weight personage—a rare few—himself, recognition is still easier come by for one of boxing’s disciples of a Monster. And it's nothing Nakatani, Kanagawa, hasn't earned. Between his bridging of bulldog to versatile blue-chipper, and frequent US sparring excursions, a readiness to expedite the learning process and realize ambitions unfolding come off him in waves. For my money, among the most rapidly maturing fighters in the sport, it comes as no surprise he’s jumping at a first title opportunity. After all, what’s a championship fight at 22 and 20 fights to the man, then boy, who risked his unblemished rise in harum-scarum shoot-outs with punchers Masamichi Yabuki and Seigo Yuri Akui? He’s since come of age, harnessing leviathan wingspan and spit-shining a tenacity to fight inside that gift of length. Ready as ever, he forged ahead, turning away Mario Andrade, Naoki Mochizuki and Milan Melindo, amongst others.

Is this a fight, then, for old fashioned fine tuning or a quick study?

To understand a Magramo is to expect aggression, and Giemel is good for it. But his ability to weaponise said aggression, and pressure, effectively will come under more scrutiny than ever. At his best, he's moving forward with a proactive upper body movement: shifting his weight over his front foot, rolling his shoulders from side-to-side, drawing leads and making himself difficult to read and counter when he's throwing from different positions. Slipping and countering, he establishes a threat for his level changes and feints at the shoulder. Against China's Ge, Magramo applied this upper body movement busily in the opening rounds, punching at different angles and exploring his timing to help determine the distance and Ge's responses. A probing, sometimes pawing, lead hand often supplements the upper body in gauging distance and triggering a lead he intends to pick off. You'll see Magramo throwing his jab from any shape, and if he's not baiting, he'll use it to disrupt rhythm or break his own: doubling and tripling up (stutter stepping as he goes) and feinting in combination with the right hand or leading with a reverse 1-2. When he has momentum, he'll pick his opponents head up with it and push them back off-balance. Maintaining his own base and shape, of course, is also important for someone looking to push forward consistently and as a rule he is well-balanced, allowing him to slip and counter as he moves in inside or bounces back out.

By no means perfect in his pressure, Magramo isn't the best at cutting off the ring, with opponents often escaping and circling out to their right as he squares up on rear hands or in anticipation of an exchange at short range. This is only compounded when he's already leaning forward (weight over his front foot) and falls in, short of the target and available to be countered out of shape. In this position Magramo will often attempt to restore his balance with a jab, get low and initiate a clinch, or just embrace an exchange. By keeping his front foot in step with his opponent, however, and on-balance to counter off the upper body movement and feints, he closes distance well and can stay in front of his opponent with enough regularity to drive the action and push a pace. It's worth mentioning here how efficiently Magramo passed Michael Bravo's southpaw lead, changing his rhythm, leading with delayed right hands, pawing with his jab and slipping inside at every opportunity.

Taking away Michael Bravo's jab early enough to finish him inside eight rounds is encouraging, but eluding Junto Nakatani's is a different challenge altogether and similarities between the two opponents end not long after acknowledging they share a long southpaw stance. As busy as it is versatile, Nakatani establishes his jab early and sets about conditioning his opponent with his lead hand, adding layers as he goes. Probing and feinting from the get go, he doesn't waste time before he's stepping in, working his man up and down and occupying the opposite guard or lead hand (in a southpaw-orthodox clash, such as we have here)as he lines up a back hand. Taller than all of his opponents at flyweight, he has certain advantages gaining dominant lead hand position and jabbing over orthodox opponents, but in altering the path of his jab over and under an opponent's lead hand, as well as jabbing from different looks and adding foot feints, the timing and positioning of his jab is seldom predictable. Magramo can't, and generally wouldn't, wait for Nakatani to get lazy or fall into a predictable rhythm with his lead hand, so it's on him to draw on the success Naoki Mochizuki had provoking Nakatani's jab with upper body movement and level changes, as a means of slipping and countering his way inside.

True to 'Skull and Bones' form, Magramo is most at home harrying in the pocket. If he can manage the distance, it's inside the jab he's best equipped to take the fight to Nakatani. Here 'Pistolero' looks to instinct, and he counters readily with an innate punch anticipation and reflexes. Catching, parrying, rolling and then countering, he's unforgiving and stylish. On the inside, he typically likes to get low and work up from shovels hooks to the body. For the Nakatani fight, Magramo will likely try to use this low starting position to work under the larger frame, pushing his head into Nakatani's shoulder, comprimising his balance and forcing him upright—something Mochizuki was also able to achieve. Magramo doesn't hesitate in using a shoulder or forearm to set up his offense, or lean on an opponent's shoulder, arching his back, to make room to work the body, and he can exploit the taller man throwing in combination off of his weaving transitions more if he works him into an upright position.

Of course, if you're familiar with Nakatani, you'll know it's not as simple as slipping his jab and dominating the fight. Nakatani, too, is very capable an inside fighter, exceptional for his height and length and he works that large frame underneath shorter opponents with ease. He can't boast some of the acute reflexes of Magramo, but he can control the space, he's strong and he works his arms inside his opponents more regularly, which he'll use to walk them back to the ropes or turn them. Positioning his own head onto a shoulder, and shifting it each side in anticipation or reaction to opposition success, he creates space similarly moving his man around with a shoulder or forearm. More importantly for this fight, though, can be Nakatani's ability to counter off of step backs and punching on the break. A combination of Magramo leaning heavily onto an opponents shoulder, and his neglecting the use of his arms to control them, can leave him unbalanced and available to be countered if an opponent slides on their back foot and simply creates separation stepping back.

Nakatani will be forced to hold his own on the inside routinely, but stepping to Magramo and applying his own pressure might not be to his benefit here. If we learned anything from the rout of Melindo, it'd be that despite his willingness to drive the exchanges, a probing lead hand constant and every physical advantage, controlling range on the front foot doesn't always look like one of his stronger impulses, and his balance suffered for it. Attempting to mirroring his opponents footwork in the early going and losing his shape, he was forced to reset on a few occasions as Melindo escaped relatively unpunished from positions you might expect the opposite. Melindo himself, perhaps, should have penalised these missteps more readily and pulled the trigger upon pivoting into space and finding new angles--you should know Magramo will.

It's at range Nakatani has shown some of his keener footwork: stepping out and to his left against Mochizuki, he was able to creep out of range, manipulate the distance and cause him to reach for counters and fall in. Similar can be said when he's stepping back to counter, and he finds some of his most dominant angles at the end of a jab. I thought he was more effective, or at least consistent, setting traps for Melindo, timing him and scoring off half-steps and step backs as Melindo tried breach the distance. Not only central to disrupting the Magramo rhythm and pressure though, with more space Nakatani's lead can get to work setting up long combinations, where he finishes with wide, arching hooks and uppercuts around and under a guard the jab (and sequent left hands) will narrow.

A great example of the utility of Nakatani's lead hand, and a useful approach to exploiting length in a Magramo fight can be seen in the first 20 second of his fifth round against Mochizuki: circling to his left and jabbing twice at the guard he conditions Mochizuki to expect a third but instantly breaks his rhythm, stepping back around to his right and hooking off the jab; his next jab is feinted, Mochizuki dips to move in underneath but Nakatani anticipates, pushes a couple more jabs at his guard and forces him to reset; stepping back once this time, Nakatani then shifts his weight onto his front foot as if to step in with a jab, Mochizuki bites again and shoots his own over the top, only to be met with a lead hand uppercut as Nakatani slides on his back foot; tying the sequence up, Nakatani bends at the waist, initiates a clinch (securing a right underhook), turns Mochizuki and switches into an orthodox stance as he steps out of the clinch to land an unexpected rear uppercut.

Conclusions and Pick
If picking a winner wasn't hard enough following almost half as many cancelled dates as there now (finally) scheduled rounds, and the spectre of modern overtraining, these two talented, learned first-time challengers don't make it any easier.

One inevitably we can trust is their meeting 'inside' throughout the fight. The fight will go there, but, for me, it's on Nakatani to keep these meetings to a minimum. He won't shut him out on the outside, or by boxing in circles, but in combination with his willingness to call the upper body bluffing, that brilliant lead hand and his ability to anticipate the target and slide into space before Magramo can negotiate his length, I think Nakatani will prove more successful pulling him out of shape and stealing his rhythm off the back foot, circling to his right (avoiding Magramo's sweeping right hand), working check hooks around the guard and moving him onto uppercuts as and when he leans over the front foot. It tends to be when Magramo picks up his feet and chases a fight that we see most of his bad habits, in particular his back foot swinging forward, moving of the wrong foot first and jumping in with both feet off the ground. And besides, any Magramo opponent would surely appreciate the ability to create this separation and score in response to the abrasive pocket fighting. Because as competent as Nakatani is inside, when you have his relative versitility, stepping to the man who can only win the fight at one range might not prove as profitable when that man is good there as Magramo. As the fight goes longer, Nakatani's best bet as the stronger clinch fighter is to limit his in-fighting, almost exclusively, to working his arms into underhooks when Magramo secures an angle inside his jab, pushing him back to break up his offence and then stepping back out to punish him leaning forward or falling asleep in the clinch.

Whilst I consider Nakatani's broad skill set and acknowledge a path to victory, Magramo might have come yet a fight too soon. Having not even experienced a tenth round, perhaps the biggest test of his durability to date will come to the body. Weaker than he is now and less equipped to defend himself, he survived and outlasted Yabuki and Akui chin checks—that's tough. Here, however, he faces an opponent that knows the application of investing in the body and, crucially, if Magramo is to offset length and reach, he won't be passing up any opportunity to isolate a torso so long upon closing the distance. It's hard to imagine the Magramo slip and counter game, established so reliably on that rhythmic upper body, won't afford him enough opportunities to target the Nakatani body and dull him. But whether it's the body attack that slows any movement or Nakatani choosing the hold his feet and contest the pocket, when it heads inside I make Magramo the favourite to win those exchanges if he's not quickly tied up. Sound defensive and spatial instincts make him a dangerous counter (combination) puncher and he can better build on his combinations at short range, where he shifts his weight well and works his opponent up and down. It's crucial Magramo keeps his discipline moving the upper body; that's how he provokes the jab, picks it off and how he stays elusive and dangerous as he moves inside. Nakatani has previously struggled for timing punching down at shorter fighters in the opening spells, which would suggest there's a window for Magramo to get his foot in the door, slipping to the body early. From there, it's just as important he uses technique to control Nakatani on the inside, whether that's disrupting his stance with his head or just positioning him with a forearm or shoulder, creating the space to consistently target the body and outwork him in these areas.

Anxious to make up for lost time, I expect they'll make good on expectations. Tactically fascinating, with both wrestling for control and showing off talented offence in high-level exchanges, a lot of the rounds will be traded at a high pace. Ultimately though, I see Magramo provoking leads, slipping inside and targeting Nakatani's long torso with enough consistency to push the pace, keep the fight in the areas he's more equipped to win the exchanges and subdue the bigger man. Whilst I'm not sure Nakatani is forced into the losing column with a stoppage, I think Magramo does enough to build momentum and consolidate a lead in the second half of a fight that inspires cult followings on both sides. ​