Traditionally the Indonesian boxing scene hasn't been that impressive, with only 4 fighters from Indonesia ever winning world titles. Despite that the country has been able to generate some buzz, and has actually given us a few fighters of note, along side the world champions. They include Daud Yordan, who really should be regarded as the biggest boxing star in Indonesia by quite some distance.
Despite Yordan being the Indonesian face of boxing the country does have some interesting fighters rising through the ranks right now and we could, potentially, be on the verge of a golden era for Indonesian boxing.
low stoppage rate. Offensively here's a little on the wide side, but with time that can certainly be sorted. Sadly though his next bout, with Kyoguchi, does look to be a touch too much too soon. But we'll see for sure in September.
it was a performance that saw him certainly show some flaws, but it was the performance that sees a fighter instantly make new fans, whilst the body shot to finish the fight was one of the most brutal body shots we've seen this year. Win or lose Marupa is going to be a lot of fun to follow.
Aside from the win over Kang there is little to get too excited about on Agustian's record but he does hold a second round win over the once serviceable Zun Rindam, in a bout that saw Agustian pick himself off the canvas to stop Rindam in 2 rounds.
He looks legitimately like a rough diamond who just needs polishing, and if his team can do that then they'll have a real talent on their hands and someone who can help put Indonesian boxing on the map. The problem however is that if he only fights twice a year he's not going to develop as he should or get the opportunities he deserves.
Of the fighters on this list we suspect Jet might be the least likely to succeed internationally but may be the easiest to match, with managers from through out Asia potentially looking to match Jet against one of their prospects. And as a result he may find himself getting more opportunities than some of the other, more talented fighters listed.
Other prospects from Indonesia perhaps worth following include 22 year old Light Flyweight Andika D'Golden Boy (14-0, 7), Light Welterweight southpaw Rivo Kundimang (4-0-1, 1), Super Flyweight hopeful Patrick Liukhoto (7-0, 5) and Flyweight novice Ken Neparasi (1-0, 1). Sadly a lack of footage have prevented us from really talking in depth about any of these men like we have with the 5 above.
It's widely accepted that Japan is the 10th most populated country on the planet. It's got around 128,000,000 people living on it and this places it between Russia with around 144,000,000 and Mexico 118,000,000.
In terms of comparing it with some other boxing countries, the US is the 3rd most populated country with around 317,000,000, the Philippines is the 11th most populated with 99,000,000, Germany is the 16th most populated with around 81,000,000, the UK is the 22nd most populated with around 64,000,000 and Argentina is 32nd with 40,000,000.
This means that Japan has less than half as many people as the US, marginally more than Mexico, 50% more than Germany, twice as many as the UK and thrice as many as Argentina. Despite the population being what it is, there seems to be so many more top youngsters coming from Japan than anywhere else.
The big question then, is how come so many Japanese youngsters look so talented, so young?
At the moment Japan has a wealth of young talent under the age of 25. This includes world champions such as Tomoki Kameda, 22 and Kazuto Ioka, 24, OPBF champions Ryosuke Iwasa, 24 and Masayoshi Nakatani, also 24, up coming world title challenger Naoya Inoue, 20 and more outstanding prospects than I can possibly list such as Kosei Tanaka, 18, Takuma Inoue, 18, Sho Ishida, 22 and Ryo Matsumoto, 20.
Maybe, as we've said in the past, Japanese boxing is on the verge of a Golden Age of young talent, a once in a life time boom of youngsters who are all breaking through at the same time. Something tells me this isn't really the case though as 6 is years is a notably long time between the oldest of these guys and the youngest. Personally I think the the real answer lies in the amateur boxing system of Japan and the match making of Japanese fighters .
It may be a surprising to mentioned the amateur scene considering that Japanese amateur boxers haven't been a key fixture at world meets. We rarely see Japanese fighters taking home medals from either the World Amateur Championships or the Olympics, however what we do tend to see is that the top Japanese amateurs don't tend to remain amateur for much longer than they need to. There are, of course, counter examples such as Satoshi Shimizu who has announced plans to compete at the 2016 Olympics, though these are rare.
What we have instead are youngsters who have come through the Japanese amateur ranks by fighting regularly in high school and then turning professional at a young age before bad habits and amateur traits are engrained in their style.
As well as turning professional at a young age these youngsters also seem to have adapted more professional styles than fighters from around the world. In many countries top amateurs take a number of bouts to learn to adapt. They are basically retrained in how to walk again against a much lower calibre of opponent than they were beating in the amateurs. In Japan however their styles are often fairly professional and they aren't taking huge steps back in their early professional outings.
What is the point in going from fighting the elite, either domestically or on the world stage, as an amateur to then fighting domestic level journeymen as a professional? Are we really suggesting that top amateurs, such as Luke Campbell in the UK or Rau'shee Warren in the US need to learn by taking 10 steps backwards?
If we look, for example, at Ryo Matsumoto. He did start like a typical "western" prospect fighting a string of weak opponents though by fight #5 he was facing a decent opponent in the form of John Bajawa and in fight #10 Matsumoto will be fighting a multi-time title challenger. As for Luke Campbell's 5th fight he's fighting Scott Moises, a guy who holds an 8-8-1 record. Still Campbell did do better than Warren who faced Jiovany Fuentes, a blown up Flyweight who had been inactive for 2 years.
Warren, who now sports a record of 10-0, fought his 10th professional contest earlier this year and faced the very experienced German Meraz who at the time sported a decent looking 46-28-1 record. Unfortunately Meraz hadn't beaten a fighter with a winning record since late 2009 and had only beaten a handful in total. Meraz was the proverbial can crusher with a boosted record that allowed other fighters to look impressive though in reality served as little more than a record padder himself.
So as well as having more professional styles the Japanese youngsters are also matched better. They are matched progressively on the whole and take steps up. There is no point in wasting time in this sport as one good shot could finish your career and if you're good enough you're good enough.
Possibly the biggest reason for the boom in Japanese youngsters however is that promoters are willing to take a risk or two. They aren't hiding their talented youngsters in the shallow end of a swimming pool with water wings but are willing to let them swim with sharks. If they get bitten early then it's a rebuilding process and they can cycle things down a gear, as seen in the career of Keita Obara who lost on debut though is now fighting for an OPBF title just a few years later.
If a youngster doesn't get bitten however then let them swim with more sharks. Kazuto Ioka is probably the best example right now. In fight #6 he faced an experienced domestic level campaigner, then in fight #7 he faced a highly experienced and unbeaten world champion then in fight #10 he faced a fellow world champion in a world title unification. These were risky fights but Ioka believed in himself, his team believed in him and he showed his worth.
In so many places keeping a fighters unbeaten record is actually more important than developing their skills and legacy. You develop by fighting better fighters, you develop by fighting in competitive matches and you develop by needing to prove yourself. Taking a loss along the way is just part of a fighters development.
In the US fans are already starting to turn on Gary Russell Jr who has had 24 fights but no risks, Deontay Wilder is similar though has 33 wins with no risk and Sean Monaghan is 20-0 though has again had no risks. Between them these three fighters have had 77 fights yet we have no idea how good they are. Between Ioka, Tomoki, and Naoya Inoue there is a combined 48 fights and already there 2 world champions and a future title contender.
US promoters might want to protect their investment and that makes sense, but do you really think Japanese promoters aren't doing the same? The difference is Japanese promoters don't tell you they have a wonder talent then protect him, instead they tell you they have a super talent and they prove it. They don't use smoke and mirrors to sell us a prospect they let the prospect talk with their actions.
So why does Japan have so many good, talented youngsters?
Well their amateur system seems to promote a more professional style to boxing at a young age, they don't waste time staying in the unpaid ranks for too long, they are developed quickly as professionals and they are allowed to prove their talent rather than merely defeat over-matched foes for years. This is a combination of "ignoring" the amateur scoring system that has plagued amateur boxing for so long, great training, great desire of the individual fighters to prove themselves and brave promoting.
This isn't a golden age of Japanese boxing, but the start of a revolution which I feel will continue for a long time.
(Pictures-Top is courtesy of Boxrec.com and is Tomoki Kameda, middle is from Ohashi Gym and features Naoya Ioue and bottom is from Kosei Tanaka courtesy of Boxingnews.jp)
Thinking Out East
With this site being pretty successful so far we've decided to open up about our own views and start what could be considered effectively an editorial style opinion column dubbed "Thinking Out East" (T.O.E).